[A]
πρὸς δὲ τούτοις ἀποκναίεις βιαζόμενος μὲν τοὺς πλουσίους ἐν δικαστηρίοις μετριάζειν, τοὺς πένητας δὲ εἴργεις συκοφαντεῖν. ἀφεὶς δὲ τὴν σκηνὴν καὶ τοὺς μίμους καὶ τοὺς ὀρχηστὰς ἀπολώλεκας ἡμῶν τὴν πόλιν, ὥστε οὐδὲν ἡμῖν ἀγαθὸν ὑπάρχει παρὰ σοῦ πλὴν τῆς βαρύτητος, ἧς ἀνεχόμενοι μῆνα ἕβδομον τουτονὶ τὸ μὲν εὔχεσθαι πάντως ἀπαλλαγῆναι τοῦ τοσούτου κακοῦ τοῖς περὶ τοὺς τάφους καλινδουμένοις γρᾳδίοις ξυνεχωρήσαμεν, ἡμεῖς δὲ αὐτὸ διὰ τῆς ἡμῶν αὐτῶν εὐτραπελίας
[B]
ἐξειργασάμεθα βάλλοντές σε τοῖς σκώμμασιν ὥσπερ τοξεύμασι. σὺ δέ, ὦ γενναῖε, πῶς ἀνέξῃ τὰ Περσῶν βέλη, τὰ ἡμέτερα τρέσας σκώμματα;”
Ἰδού, βούλομαι πάλιν ἀπ ̓ ἄλλης ἀρχῆς ἐμαυτῷ λοιδορήσασθαι. “Φοιτᾷς εἰς τὰ ἱερά, δύσκολε καὶ δύστροπε καὶ πάντα μοχθηρέ. συρρεῖ διὰ σὲ τὰ πλήθη πρὸς τὰ τεμένη καὶ μέντοι καὶ οἱ πλείους τῶν ἐν τέλει, καὶ ἀποδέχονταί σε σὺν βοῇ μετὰ κρότων λαμπρῶς ἐν τοῖς τεμένεσιν ὥσπερ ἐν τοῖς θεάτροις.
[C]
τί οὖν οὐκ ἀγαπᾷς οὐδ ̓ ἐπαινεῖς, ἀλλ ̓ ἐπιχειρεῖς εἶναι σοφώτερος τὰ τοιαῦτα τοῦ Πυθίου, καὶ δημηγορεῖς ἐν τῷ πλήθει, καὶ καθάπτῃ τῶν βοώντων πικρῶς αὐτὸ δὴ τοῦτο λέγων, ὡς Ὑμεῖς τῶν θεῶν ἕνεκεν ὀλιγάκις εἰς τὰ τεμένη συνέρχεσθε, συνδραμόντες δὲ δι ̓ ἐμὲ πολλῆς ἀκοσμίας ἀναπίμπλατε τὰ ἱερά.
[D]
πρέπει δ ̓ ἀνδράσι σώφροσι κεκοσμημένως εὔχεσθαι σιγῇ παρὰ τῶν θεῶν αἰτουμένοις τὰ ἀγαθά. τοῦτον οὐκ ἠκροᾶσθε τὸν νόμον Ὁμήρου
Σιγῇ ἐφ ̓ ὑμείων–,
οὐδ ̓ ὡς Ὀδυσσεὺς ἐπέσχε τὴν Εὐρύκλειαν ἐκπεπληγμένην ὑπὸ μεγέθους τοῦ κατορθώματος,
Ἐν θυμῷ, γρηῦ, χαῖρε καὶ ἴσχεο μηδ ̓ ὀλόλυζε;
τὰς δὲ δὴ Τρῳάδας οὔτι πρὸς τὸν Πρίαμον ἤ τινα τῶν τούτου θυγατέρων ἢ υἱέων, οὐ μὴν οὐδ ̓ αὐτὸν τὸν Ἔκτορα·
[A]
Then again you harass us by forcing the rich to behave with moderation in the law-courts, though you keep the poor from making money by informing.1i.e. bringing false accusations, which was the trade of the sycophant or blackmailer. And by ignoring the stage and mimes and dancers you have ruined our city, so that we get no good out of you except your harshness; and this we have had to put up with these seven months, so that we have left it to the old crones who grovel among the tombs to pray that we may be entirely rid of so great a curse, but we ourselves have accomplished it by our own ingenious insolence,
[B]
by shooting our satires at you like arrows. How, noble sir, will you face the darts of Persians, when you take flight at our ridicule?”
Come, I am ready to make a fresh start in abusing myself. “You, sir, go regularly to the temples, ill-tempered, perverse and wholly worthless as you are! It is your doing that the masses stream into the sacred precincts, yes and most of the magistrates as well, and they give you a splendid welcome, greeting you with shouts and clapping in the precincts as though they were in the theatres.
[C]
Then why do you not treat them kindly and praise them? Instead of that you try to be wiser in such matters than the Pythian god,2Apollo who was worshipped at Daphne near Antioch. and you make harangues to the crowd and with harsh words rebuke those who shout. These are the very words you use to them: ‘You hardly ever assemble at the shrines to do honour to the gods, but to do me honour you rush here in crowds and fill the temples with much disorder.
[D]
Yet it becomes prudent men to pray in orderly fashion, and to ask blessings from the gods in silence. Have you never heard Homer’s maxim, “In silence, to yourselves”3Iliad 7. 195: τόφρ ̓ ὑμεῖς εὔχεσθε Διί Κρονίωνι, ἄνακτι / σιγῇ ἐφ ̓ ὑμείων, ἵνα μὴ Τρῶές γε πύθωνται. –, or how Odysseus checked Eurycleia when she was stricken with amazement by the greatness of his success, “Rejoice, old woman, in thy heart, and restrain thyself, and utter no loud cry”?4Odyssey 22. 411. And again, Homer did not show us the Trojan women praying to Priamus or to any one of his daughters or sons, nay not even to Hector himself
EN translation: Wilmer Cave Wright, 1913
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Title | London: The Works of the Emperor Julian, Volume II/III |
Publisher | London: William Heinemann |
Year | 1913-23 |
Pages | 416-511 pp. [vol. II: 538 pp.] |
Translation | Wilmer Cave Wright. PhD |
Editors | T.E. Page and W.H.D. Rouse |
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.